NATE MARSHALL is from the South Side of Chicago. He is the author of Wild Hundreds and an editor of The BreakBeat Poets: New American Poetry in the Age of Hip-HopWild Hundreds has been honored with the Black Caucus of the American Library Association’s award for Poetry Book of the Year and The Great Lakes College Association’s New Writer Award. His last rap album, Grown came out in 2015 with his group Daily Lyrical Product. Nate is a member of The Dark Noise Collective. He completed his B.A. at Vanderbilt University and an M.F.A. at The University of Michigan’s Helen Zell Writers' Program. 

Nate has received fellowships from Cave CanemThe Poetry Foundation, and The University of Michigan. He is the Director of National Programs for Louder Than A Bomb Youth Poetry Festival and has taught at The University of Michigan, Wabash College, and Northwestern University.

The Hundreds’ is a place, a people, and one way to define centuries. ‘Wild’ is an epithet-become-style. Ergo, Wild Hundreds is a style of centuries. If our third millennium lyric ever comes to terms with America,it will have to accommodate symbols and syntax once denigrated and dismissed. With his dynamic debut collection, Nate Marshall is making space. And it’s wild.
— Patrick Rosal, Author of Brooklyn Antediluvian

Nate Marshall was paying close attention when Chuck D said, “Rap is CNN for Black people.” In his hard-hitting chapbook, Blood Percussion, Marshall takes the Hard Rhymer’s words and masterfully applies them to poetry, turning his eye toward gun play, free lunches, skull caps, prayers, and praise songs. With wit and fierce music, these poems take on the subjects that can’t find a space on the evening news, reminding the reader again and again that there is power and grace in truth-telling even when those truths are difficult to hear.
— Adrian Matejka, author of The Big Smoke
Finally! Here’s the anthology that puts in print what we’ve known all along: Rap is Poetry, and Hip-Hop is a genre of poetry bigger than poetry itself. Read these poems and get rid of the notion once and for all that Hip-Hop poems are meant for the stage and don’t work on the page. And the author’s statements and essays place these poems straight in the American grain, the current iteration of the African-American poetic lineage. The Breakbeat Poets is the essential text for anyone who wants to know what’s up with American poetry in the Digital Age.
— Bob Holman, Bowery Poetry Club