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Hanif Abdurraqib is a poet, writer, and cultural critic from Columbus, Ohio. His essays and music criticism have been published in The FADER, Pitchfork, The New Yorker, and The New York Times. With Big Lucks, Hanif released a limited edition chapbook, Vintage Sadness, in Summer 2017. He is a Callaloo Creative Writing Fellow and previously worked for MTV News, where he wrote about the intersections of music, culture, and identity.

Hanif also wrote the 2016 live shows: MTV Video Music Awards and VH1’s Unsilent Night. His first full length collection, The Crown Ain't Worth Much, was one of 2016s best-selling poetry books and was named a finalist for the Eric Hoffer Book prize. Hanif's debut collection of essays titled, They Can't Kill Us Until They Kill Us, was published November of 2017 via Two Dollar Radio. He is a member of the poetry collective Echo Hotel with poet/essayist Eve L. Ewing.

INSTAGRAM: @Nifmuhammad
TWITTER: @Nifmuhammad
FACEBOOK: @HanifAbdurraqib

From his analysis of racism in Ohio mosh pits to his account of attending a Springsteen concert after visiting Michael Brown’s memorial in Ferguson, Abdurraqib represents a bold new voice in socio-music criticism.
— O, The Oprah Magazine
Abdurraqib bridges the bravado and bling of praise with the blood and tears of elegy.
— Terrance Hayes
Music nerds, rejoice! There are few critics alive today that can talk about music and culture with the same level of adoration and encyclopedic knowledge as Hanif Abdurraqib. It should come as no surprise, then, that They Can’t Kill Us Until They Kill Us, his collection of music and culture essays, is ridiculously good. True to form, Abdurraqib will likely give you a whole new level of appreciation for some of your favorite music — so strap in, because fandom has never sounded so good.
— Shondaland
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Vintage Sadness
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